The Mystery of Ode to Billy Joe
In the summer of 1967 country singer Bobbie Gentry (b. 1944) released a single entitled Ode to Billie Joe. Its breezy bluegrass melody and catchy chorus made for an instant hit, and Billie Joe leapt to the top of the charts. Today it remains one of the most popular country songs of all time.
The love of Billie Joe goes
beyond affinity for a catchy tune, however. The song's lyrics are haunting and
mysterious, recounting a Gothic tale of a young man's tragic suicide in
the deep south. The story told contains many noticeable omissions and
gaps, however, leaving the listening with no shortage of irritating
This page is an attempt to summarize the controversy.
This page was last updated in June
of 2015. Apologies for the long delay in posting some of the
new theories I have received. Please keep them coming.
The following are the complete lyrics to Ode to Billie Joe. The song is
approximately three minutes long. There does not appear to be any truth
to the rumors that the song was trimmed for length, thus cutting vital
A note on spelling: Gentry spells it "Billie Joe" on the album cover, but almost immediately after the song's release much of mainstream America began using the more conventional spelling "Billy Joe." I will use the latter spelling for simplicity's sake.
It was the third of June,
another sleepy, dusty Delta day.
I was out choppin' cotton
and my brother was balin' hay.
And at dinner time we stopped,
and we walked back to the house to eat.
And mama hollered at the back door
"y'all remember to wipe your feet."
And then she said she got some news this mornin' from Choctaw Ridge
Today Billy Joe MacAllister jumped off the Tallahatchie Bridge.
Papa said to mama as he passed around the blackeyed peas,
"Well, Billy Joe never had a lick of sense,
pass the biscuits, please."
"There's five more acres in the lower forty I've got to plow."
Mama said it was shame about Billy Joe, anyhow.
Seems like nothin' ever comes to no good up on Choctaw Ridge,
And now Billy Joe MacAllister's jumped off the Tallahatchie Bridge
And brother said he recollected when he and Tom and Billy Joe
Put a frog down my back at the Carroll County picture show.
And wasn't I talkin' to him after church last Sunday night?
"I'll have another piece of apple pie, you know it don't seem right.
I saw him at the sawmill yesterday on Choctaw Ridge,
And now you tell me Billy Joe's jumped off the Tallahatchie Bridge."
Mama said to me "Child, what's happened to your appetite?
I've been cookin' all morning and you haven't touched a single bite.
That nice young preacher, Brother Taylor, dropped by today,
Said he'd be pleased to have dinner on Sunday. Oh, by the way,
He said he saw a girl that looked a lot like you up on Choctaw Ridge
And she and Billy Joe was throwing somethin' off the Tallahatchie Bridge."
A year has come 'n' gone since we heard the news 'bout Billy Joe.
Brother married Becky Thompson, they bought a store in Tupelo.
There was a virus going 'round, papa caught it and he died last spring,
And now mama doesn't seem to wanna do much of anything.
And me, I spend a lot of time pickin' flowers up on Choctaw Ridge,
And drop them into the muddy water off the Tallahatchie Bridge.
Facts we can deduce from the song:
1) The story takes place in Mississippi. Choctaw Ridge, Carroll
County, Tupelo, and the Tallahatchie Bridge all exist in real life. The
opening line suggests the speaker lives in the Delta region of the
state, which is located in the north.
2) The narrator's father does not care much for Billy Joe, her
mother is more sympathetic, and her brother was apparently a friend.
3) The narrator apparently had some degree of relationship with
Billy Joe. She was talking to him at church and was seen with him on
the bridge. When she learns of his death she loses her appetite (unlike
the rest of the family) and later spends "a lot of time" throwing
flowers off the bridge where he committed suicide.
4) The family of the narrator is largely oblivious to the closeness of the relationship she had with Billy Joe, and for some reason she has no interest in bringing it up.
Unresolved questions from the song:
1) What did the narrator and Billy
Joe throw off the bridge, and at what time did this event occur?
Note the fact that Brother Taylor visited the narrator's house the same day Billy Joe died does not necessarily mean he saw the "girl" and Billy Joe throwing their mysterious "something" off the bridge on this day as well.
2) What sort of relationship did
the narrator and Billy Joe have?
Was it sexual? Ages are not given, but it is suggested the narrator is at the very least a teenager. She lives with her parents, but is capable of doing labor in the field. Her brother is old enough to get married and move out of the house. The brother recalls putting a frog down his sister's dress — a rather immature stunt — but this likely happened years ago and is more of a nostalgic recollection.
3) The key question: Why did Billy
Joe commit suicide?
And to what degree was it related to:
- His relationship with the narrator.
- Talking to the narrator at church the Sunday prior.
- Throwing something off the bridge with the narrator.
- Visiting the sawmill the day before.
The song contains several themes. The first is simply that of a
"period piece" of life in the American South in the early 20th Century.
Gentry's language and imagery is colorful and particular.
The other theme is darker, and illustrates the indifference we often show towards the loss of human life. The narrator's family talks about a young man's suicide with striking nonchalance, perhaps best illustrated by the father's line, "well, Billy Joe never had a lick of sense/ pass the biscuits, please." Aside from the narrator, no one seems to know or care much about Billy Joe. His death is just a source of idle dinnertime gossip.
1) The abortion theory
The most common theory is that Billy Joe and the narrator were indeed involved in some degree of romantic / sexual relationship that was kept hidden from the narrator's family because the father strongly disliked Billy Joe. This, in turn, is often extended into a theory that the couple had an unplanned child at some point, then threw the baby off the bridge together rather than deal with this manifestation of their illicit relationship. The guilt stemming from the murder of his own child later caused Billy Joe to kill himself.
Some have gone even further and speculated that because the child was unwanted, it was aborted in some haphazard fashion, with the remains then quietly tossed off the bridge to hide the evidence. I've heard some point to the relevance of the "child, what's happened to your appetite" line as a subtle key to this. Loss of appetite commonly occurs after giving birth (in fairness, it also commonly occurs when someone is depressed).
2) The interracial theory
Another theory is that Billy Joe and the speaker are different
races. This is consistent with the song's Southern theme and may
explain the speaker's motivation for keeping her relationship with
Billy Joe hidden. Some of Gentry's language and food choices may be
intended to indicate that the narrator's family is black. The narrator
also mentions picking cotton, a chore associated with Southern blacks
since the slave era.
An inter-racial relationship during the period in which the song is
set would clearly be a social taboo, and may have led the narrator to
break up with Billy Joe, who then proceeded to commit suicide out of
misery. The unwanted child theory can feed into this premise, as a
mixed-race baby could theoretically be even more socially unacceptable
than an mixed-race romance. This theory is somewhat complicated by the
friendship between Billy Joe and the brother.
3) The suicidal depressive theory
A third theory simply says that Billy Joe was a generic depressive
with suicidal tendencies that were known to the narrator. The thing
thrown off the bridge was a gun or some other tool of self-harm, after
the narrator successfully convinced Billy Joe out of killing himself.
But then later he jumped off the bridge anyway, proving efforts vain.
Is there a "correct" answer?
It depends. There are at least two "official" sources one might be
tempted to cite.
1) The 1975 movie.
In 1976, Warner Bros. made a film inspired by the song, entitled simply Ode to Billy Joe. It starred Robby Benson as Billy Joe McAllister and Glynnis O'Connor as the narrator character, who was given the name "Bobbie Lee Hartley."
The film's tagline was "What the song didn't tell you, the movie
will" and thus purported to provide an authoritative conclusion to the
The movie has been criticized for taking too many artistic liberties and introducing too much new information that is not even hinted at in the song. Wikipedia provides the following plot summary:
Set in the early 1950s, the film explores the budding relationship between budding relationship between Bobbie Lee Hartley [the song's narrator character] and Billy Joe McAllister.
Hartley and McAllister struggle to form a relationship despite resistence from Hartley's family, who contend she is too young to date. They develop the relationship, despite the odds in their way. One night at a party, however, McAllister gets drunk. In his inebriated state, he makes love to another man dressed in drag, though later he reveals he knew what he was doing. He bids an enigmatical goodbye to Hartley. Overcome with guilt, McAllister subsequently kills himself by jumping off the bridge spanning the Tallahatchie River in Mississippi.
The object thrown from the bridge is the narrator's ragdoll; throughout the book and film she voices her concerns that she will always remain a child. The ragdoll being thrown from the bridge marks the point at which she begins moving towards adulthood.
The reference to the "book" refers to the 1976
movie novelization by Herman Raucher (b. 1928), who also wrote the
2) Bobby Gentry herself.
Bobby Gentry has historically remained coy about the meaning of her song. According to her, the main theme of Billy Joe was simply death and dying, and the ways in which we can be indifferent and oblivious to the suffering of others.
In a 2002 interview with the Florida-based TCPalm.com
website, Herman Raucher, the screenplay writer, recalls his
encounter with Gentry as he tried to figure out the song's meaning:
INTERVIEWER: [You wrote] the screenplay for the Deep South, song-inspired film Ode to Billy Joe. How did that come about?
RAUCHER: There’s an actor and writer and producer and director named Max Baer, whose father was the world [heavyweight boxing] champion. And Max called me because Summer of ‘42 just knocked him out, and he said, I’ve got the rights to Ode to Billy Joe. Now, you have to understand that Ode to Billy Joe was, at that time, the largest selling record in musical history.
I said, ‘Max, what the hell do I know about Ode to Billy Joe?’
He says, ‘I want you to come out here and meet with Bobbie Gentry — I’ll pay your way out here.’
I said, OK. ... Max and I go to meet her, and I ask her what does the song mean?
She said, ‘I made it up. I don’t know what it means.’
I said, ‘You don’t know why he jumped off the bridge?’
She said, ‘I have no idea.’
He proceeds to explain that since the song apparently lacked a "true" meaning, he simply made up his own storyline to explain the lyrics. I emailed Raucher myself asking him to elaborate further. He said:
had no involvement at all with the screenplay. I met with her only that
one time. She was gracious and pretty, told me little bits about her
life — but that was it. I never saw or spoke with her again."
He has no idea what she thought of his film.
Bobbie Gentry is still alive, but has largely fallen from the public radar. She never published an autobiography, so it's difficult to determine if she ever made more authoritative statements on the meaning of Billy Joe. Many creators of songs with seemingly deep or complicated lyrics — such as Don McLean's American Pie or the Eagles' Hotel California — have confessed in interviews that their lyrics don't actually have a firm meaning and it's up to the listener to determine their significance.
Reader Lukas from Germany brings to attention an interview Blues musician Tony Joe White gave to the German magazine Süddeutsche Zeitung, which he has graciously translated for this site:
Q: I have to admit, it has never
become quite clear to me why Billie Joe McAllister jumps from
A: I asked that same question to Bobbie Gentry, when we once were on tour in Europe. 'You don't really get it, do you?' she asked me. 'No, I really don't get it,' I said.
'OK; Billie Joe got the girl, the narrator, pregnant. But they both were incredibly young and did not know what to do.' That is the way I have come to understand it.
Other language versions
La Marie-Jeanne by Eddy Mitchell
French reader Philippe tells me that a French blues singer, named
Eddy Mitchell, wrote and sang a French version of "Billy Joe" entitled
La Marie-Jeanne, that became a hit in its own right. "Except
for some minor changes like using 'grapes' instead of "cotton" and some
others to make it "Frenchier", Eddy kept the general feeling of the
song the best he could," Philipe writes.
French reader Samuel informs me the French cover was originally
written by Joe Dassin.
Jon Andreas Visa by Siw Malmkvist
A reader identifies this single as a 1960s Swedish cover of the song and says "the lyrics are interpreted in a rather straightforward way to Swedish, the location changed to an unspecified rural district in Northern Sweden. Some minor adjustments have thus been made, Jon Andreas comes from a place with meager soil ("mon"), the Church is a cafe, the frog is a snowball etc.
Het was een Gewone Dag by Conny van Bergen
According to Dutch reader Martijn this is the Dutch version of Billy Joe, sung by a "not very well known singer" from the Netherlands. The title translates to "it was an ordinary day."
"Conny's translation is very loose to the original," he says, "but it kept the atmosphere of nonchalance. The mystery from Bobbie Gentry however is lost in my opinion."
He also provides the lyrics. Apparently Billy Joe is called "Jan Van Buren" in Dutch.
Spin-offs and parodies
Bob Dylan- Basement Tapes (1975)
Bob Dylan (b. 1941) is said to have hated Ode to Billy Joe. His song Clothesline Saga (track nine of the "Basement Tapes" album) was clearly an attempt to create a sarcastic parody of Gentry's original song. Clothesline is a largely nonsensical, go-nowhere song that tells the story of a kid who is helping his parents hang up the clothes to dry. Along the way, he and his parents have dull back-and-forth conversations. Here's an excerpt:
The dogs were barking, a neighbor passed,
Mama, of course, she said, "Hi!"
"Have you heard the news?" he said, with a grin,
"The Vice-President's gone mad!"
"Where?" "Downtown." "When?" "Last night."
"Hmm, say, that's too bad!"
The song closely mimics much of the style of Ode to Billy Joe, and features many similar expressions and phrases. Unlike Billy Joe however, the lyrics of Clothesline contain no deeper meaning or mystery, and are instead excruciatingly mundane. One gets the impression Dylan regards the Billy Joe song as enormously overrated.
Austin Lounge Lizards- Small Minds (1995)
The Austin Lounge Lizards are a Texas-based country / bluegrass band who sing largely humorous, satirical songs. Track one on their "Small Minds" album is called Shallow End of the Gene Pool. The song tells the story of a guy who is mentally and socially inept in every conceivable way. At the end he decides to explore genetic engineering as a way to "fix" himself. The final line in the song is "And that's why Billy Joe MacAllister's jumped off the Tallahatchie Bridge," sung in the exact same manner as the Bobby Gentry song. This line makes no sense within the context of the song, and appears to have only been included as a sort of nonsensical piece of musical filler. The two songs have sort of similar tempos, which makes the line "fit" musically.
Comments or additions? Email J.J. at email@example.com
Your analyzes doesn't seem to address the reference to... that nice young preacher, Brother Taylor, who'd be pleased to come by for dinner next Sunday....or to the significance of Chotaw Ridge.
I'd suggest that Chotaw Ridge is the "wrong side of the tracks" from where nothing good ever seems to come, even according to the more sympathetic Mama. That's where Billy Joe lived, and that's where word of his death comes from.
Although the narrator has had a fling with Billy Joe, the fun-loving, childhood friend that she always had a crush on, she feels familial and social pressure to drop the relationship with Billy Joe, in favor of someone of better breeding or social position...like the nice young Preacher.
Unfortunately, she is pregnant with Billy Joe's child, which would, of course doom her prospects. So she talks Billy Joe into helping her get rid of the fetus by tossing it off the bridge, and then she rejects Billy Joe so she can pursue more desirable, upscale marriage prospects.
Billy Joe is heart-broken and commits suicide.
Upon the realization of where the road that her "deal with the devil" has taken her, the narrator is heartsick and cannot go through with her plans to pursue the nice young preacher, or any other substitute.
As in all good morality tales, her father (who should have paid attention to what was happening to his daughter rather than simply bad-mouthing those folks up on Chotaw Ridge and concentrating on his farming) dies, the mother who pushed her daughter inappropriately is plunged into lonely depression and the narrator is left in purgatory to contemplate her sins for the rest of her days.
I'd attach no significance to the fact that Bobby Gentry, the author, claims she doesn't really know what the song means. She either
(1) bought the rights to the song and is passing it off as her own, or
(2) is cynically trying to keep the mystery going, since it lends more interest to the song's popularity, or
(3) Thinks the meaning is so obvious that if you don't get it, she isn't going to tell you.
Note that when Paul Simon was asked in a television interview what he meant when he wrote "Where have you gone Joe DiMaggio?" in the song "Mrs. Robinson" (part of the sound track fin the 1967 film The Graduate), Simon insisted that it meant nothing and that he had just put it in as a lark "because it fit". Yeh, Right. The significance of the lyric should be fairly obvious to anyone of even moderate literary sensibilities, but Simon is not about to appear on public television lecturing about the inner meaning of his song, when he's desperately trying to appear cool (rather than geeky and professorial) to the mainstream audience that buys his music.
If any of this is helpful, please feel free to add it to your web site.
* * *
Notes on Ode To Billie Jo:
The frog down the back at the picture show had to have been later than the early 1930s as movies were not common in rural southern areas until that time and later.
The talking after church bothers me.... It sounds to me like they are talking in the churchyard. In the rural south whites and blacks did not attend the same churches.
Her brother gets married and they buy a store in Tupelo...this
totally negates the share cropper idea, as they could not possibly
afford such an extravagant
lifestyle as sharecroppers. Even if they owned the farm....which by the way wasn't all that small as the father had 40 more acres to plow, they were not too well off.
I am inclined to think (as a poet myself) that the whole thing is contrived out of bits of personal history of the writer, southern memories, and put together in a rhyming mode to make a whole. Thus the song is allegorical rather than truthful.
Thanks for the opportunity to speak on the meaning of the song.
* * *
Just read your page on this almost-anniversary of the tragic Tallahatchie Bridge incident.
It seems to me, all the questions about the "plot" miss the point. Thus the inventions - book, movie, discussions, - are terribly unsatisfying.
As you point out, the family is oblivious and incurious of the girl's grief. The girl herself does not enlighten us. You use the word "nonchalant" and it is close, but it does not quite capture it. In fact, it misleads.
Directly parallelling the death of Billy Joe is the death of Papa, told in the same "nonchalent" tone. Papa's death is not even mentioned until after the news of Brother and his new wife buying a store in Tupelo. Mama suffers deep, silent, inexpressible grief, and she doesn't wanna do much of anything. She is lost to the family and to life, it seems.
The girl is also in deep, inexpressible grief, the sort of grief we hear in old English folk songs. For example,
... At the age of sixteen, he was a married man
And at the age of seventeen he was a father to a son,
And at the age of eighteen the grass grew over him,
Cruel death soon put an end to his growing.
Cruel death soon put an end to his growing.
And now my love is dead and in his grave doth lie,
The green grass grows o'er him so very, very high.
I'll sit and I'll mourn his fate until the day I die,
And I'll watch o'er his child while he's growing.
And I'll watch o'er his child while he's growing.
The details are not the story in this case. The story is in the
telling. We don't know the brother's name and it is not important. We
don't know the something thrown off the Bridge, and it is not
important. We didn't know Mama loved Papa so much that her happiness
would be drawn into the grave with him, but we learn it is true, at
least for this short while.
Implacably, a year has come and gone since we heard the news about Billy Joe. And it seems life goes on, unstopable and uncaring, with Brother and his wife moving away and starting their own lives, leaving Mama to her grieving.
But one cares about Billy Joe, though her love and her grief are not uttered in the song. And it seems in that eliptical little ballad, much of America understood that grief, as the hearers of much older folk songs understood the grief in the songs of their times.
Perhaps the repeating motif in the story helps: As the conversation over dinner is oblivious to Billy Joe's tragedy, so life trundles past the death of Papa, oblivious, and so flows the muddy water off the Tallahatchie Bridge, oblivious to lovers and flowers.
The deepest grief is silent. Billy Joe touched that grief in many people, touched it without disturbing its silence.
I find the theories as to the meaning of Ode To Billy Joe somewhat far fetched. I found my self having to listen closely to the song for the first time for something I'm working on, and I came away with a far simpler explanation.
Clearly, the narrator is forbidden to see Billy Joe, which is why she cannot even speak of it to her family. They cannot even imagine that she would do such a thing, which is why the report that Brother Taylor saw "a girl that looked a lot like you" does not seem to lead anyone in the family to believe that it was, in fact, her.
The line about throwing something off the Tallahatchie Bridge does not have to refer to a single object. And, given that, the last verse solves that part of the mystery.
So here is my take on the song. The "wrong side of the tracks" idea is very much to the point. Race need not enter into it. The narrator and Billy Joe meet and fall in love, even knowing that it is forbidden. She can only meet with him when she can get away from her chores, and sneak away. They meet at the bridge, which divides the good and bad parts of town. There they spend what precious time they have throwing flowers into the water, and making wishes for a future together that they know they can never have. Finally, Billy Joe can't take it any more. Because of the circumstances, the narrator only learns of his suicide from the conversation at the dinner table.
Incidentally, Shallow End of the Gene Pool was written and originally recorded by Emily Kaitz, without the last line referring to the Tallahatchie Bridge. You can find my post of the original version on the blog Star Maker Machine at http://sixsongs.blogspot.com/2009/04/april-fools-shallow-end-of-gene-pool.html
Really enjoyed reading yours and other peoples' thoughts on the meaning of Ode to Billy Joe and thought I'd throw my own decipherings into the mix.
I don't think that the song is a statement about how we dismiss the death of our kinsmen; the singer's relationship with Billy Joe was a secret. He wasn't that well known to the family. Obviously he was a friend of her brothers when he was younger, but we all know how time and circumstance can allow friendships to drift apart.
I think the song is a statement about our inability to be honest about our feelings, even with our nearest family.
The singer is or was obviously in love with Billy Joe at some point, but she still does not speak to defend him the day after his death when her father says 'He never had a lick of sense anyway'.
From the contents of the meal at the table; black eyed peas, and the job the singer had been doing; picking cotton, I summise that the singer, or writer was black (I know Bobby Gentry was white). Billy Joe McCalllister does not sound like a black man's name (I know there are exceptions to the rule). At the time and in the place the song was set, a relationship between a black and white person would have been forbidden.
The singer is young, which is why she is referred to as girl.
The family is religious, hence the mention of church and the mother's encouragement of a relationship between the family and the 'nice young preacher'. She is trying to pair the singer and the Preacher off.
The Preacher will not accept that the girl he saw with Billy Joe on the bridge was the singer, even though she looked like her because he is aware that the singer and him might end up together and he would have to acknowledge her part in the suicide which would impact on his reputation.
I imagine that the 'thing' thrown from bridge was likely to have been a stillborn or miscarried child. Billy Joe and the singer discussed it after church on Sunday (I know that blacks and whites went to separate churches at that time, but the discussion happened 'after' church, possibly in the graveyard?
The singer is not overly sympathetic towards her mother's grief at losing her husband and mentions her brother's situation first because she feels resentment about the relationship her and her mother had and her inability to comfort the singer during her hour of need.
The singer throws flowers in the river as penatence for her weakness in denying her and Billy Joe's relationship and for the child she may have lost.
[what follows is a second letter from the same reader]
The singer may not have been black; her father had forty acres and
her brother and Tom were friends when they were younger, but there was
a reason that the singer and Billy Joe couldn't see
each other. Nothing good ever came from the Ridge,
so Billy Joe could have come from the wrong side of
town, it's not important. What is important is that it had to be
kept secret, whatever the reason, she couldn't have told her parents.
I would like to write a conclusion. The song is now fairly old. The singer would now be a mother herself. How would she feel if her daughter introduced her to a boyfriend/husband she did not approve of? Would she repeat the mistakes of her parents, or would she take the 'Good enough for you, good enough for me' attitude and lay the past to rest? Would she share the secret of her past with her daughter?
Would they finally throw a wreath off the bridge and conclude the story?
I know there is no answer, but I thank Bobby Gentry and your site for giving me the opportunity to consider the possibilities, the setting and how we relate to each other and the power of a good song to provoke thought and emotion.
— Lozz Mitchell
[The same reader also wrote a fictional ending to the song, which
you can read here]
The Mississippi River Delta is the spot in Louisiana where the Big
Muddy meets the Gulf of Mexico. The Mississippi Delta
region is some 300 miles North, in north-western Mississippi State
where the Yazoo River meets the Mississippi.
The commenter who noted that rural blacks and whites do not attend the same churches is absolutely correct. Further, it is highly unlikely that poor whites of the age and area would care about some black kid jumping off a bridge, not even enough to mention it with "pass the biscuits, please", and "never did have a lick of sense" doesn't fit in either - black boys of the day and age were not expected to have a lick of sense.
(Sixty years later, poor whites *still* don't interact with poor blacks).
— Randall Head
I read with great interest your interpretation of the song
'Ode to Billy Joe'.
One of the things that always occurred to me when I heard the song was that the preacher was motivated to mention they were throwing 'something' off of the bridge. To me, the throwing something is equally as relevant to the preacher as the fact that he saw them together. If he was close enough to 'think' it was her and Billy Joe, he'd have some idea of what they were throwing. Petals, rocks, sticks and other common objects wouldn't elicit a 'throwing something off of the bridge'...they probably wouldn't be remarked upon at all. The preacher has no idea what they are throwing off the bridge, but it stands out in his mind enough to mention it...his curiosity is piqued.
In my imagination, vivid as it is, I always thought that the two of them were disposing of a body. Why they needed to dispose of a body is a mystery. It could be anything; an unwelcome suitor or someone who was on to their illicit relationship are good possibilities. He/she is killed, probably accidentally, in some sort of confrontation. They dispose of the body by throwing it in the river, and Billy Joe is spooked and runs off or believes that they have been observed (perhaps they saw the preacher when he was looking at them). People's belief that he had drowned himself would allow him to get away.
The narrator doesn't mention in her own fate save to say that she spends a lot of time on the bridge. My feeling is that she is pining away for Billy Joe, hoping to see him again when she is more mature and independent, or perhaps bemoaning the fact he is gone for good.
— Nicholas Ross
I play in a bluegrass band and we have just added Ode to Billie Joe
our repertoire. I thought I would look into what the lyrics mean and
came across your site.
I've read through all the various theories and find most of them a
far fetched. Not only that, but they do not even address all the
clues in the song and at the same time add stuff that isn't even
The death of Billie Joe is clearly a shock for the narrator and
her to lose her appetite (she presumably ate breakfast). Father is
indifferent to the boy - I don't think he actively dislikes him, he
just thinks he's a bit dim. So I don't buy the theories that he hates
him. I don't buy the secret pregnancy idea either. Too complicated.
The brother doesn't dislike Billy, they were friends and shared pranks
together. He also finds it odd that Billy Joe committed suicide
having seen him at the sawmill earlier in the day. Clearly at the
sawmill Billie Joe wasn't giving any indication that he might commit
suicide, in fact, quite the reverse.
Here's what really happened.
The narrator and Billie Joe were indeed having a relationship but it
hadn't been going on long. They were spotted talking together after
church not only by her brother, but also by Brother Taylor. He
follows them and sees them sharing happy times together, throwing
flowers into the river. They are in love, and Billy Joe is happy, as
the narrator's brother sees at the sawmill. However, Brother Taylor
does not approve of the relationship and decides to have it out with
Billy Joe, either because he doesn't think they are a suitable match
or more likely because he himself harbours feelings for the narrator.
They fight and in the struggle Billy Joe falls from the bridge.
Everything else fits. The preacher comes round, possibly to try to
explain and a leaves a clue for the narrator that he knew about the
relationship. Papa dies and mama goes into a depression. Not only
has she lost a husband but her daughter it heartbroken and even
preachers can't be trusted. The narrator goes back to doing the thing
that reminds her of when she was happiest, throwing flowers off the
— Geoff Berrow
1. Blacks attended our southern church. Like at the movies, they set
up in the 'loft'.
2. In the rural south everyone picked cotton. Seems some of your readers think that after 1865 when slavery ended, no cotton was picked.
3. Black eyed peas, cow peas, field peas and cornbread was eaten by
4. If they were eating biscuits they were on the richer side of middle class.
5. My family, both paternal and maternal, were sharecroppers who eventually bought their own land, sent children to college and made a good life for themselves.
6. My paternal grandmother had relatives that were of mixed race. They took in the children and raised them as their own. They worked the fields with my paternal grandfather who was an abandoned child who also worked on their farm. They were life long friends.
7. Geoff Berrow says it best.
— Lorne Quebodeaux, from southern Louisiana
I listen to the song every year on the 3rd of June. Thanks for posting the interpretations. A few thoughts about things in the song and some of the ideas offered by others:
"Billy Joe never had a lick of sense" — it's not surprising that he'd do a damn fool thing like jumping off the bridge. Maybe it wasn't suicide; maybe he was trying to retrieve whatever they had thrown off.
"he and Tom and Billy Joe" — The name Tom may indicate that he is Becky Thompson's brother.
"five more acres in the lower 40" — they had more than just 40 acres; they also had a bailer and presumably a tractor, at least.
Brother Taylor would have been called in at the death of Billy Joe and probably brought the news to Mama, perhaps because of the sighting of the girl who looked a lot like her. He apparently wasn't too interested in finding out at the time.
— Steve Torstveit
The ring was perhaps one of those tungsten wedding bands.
I would like to offer a few comments about the interpretation of Bobbie Gentry's song.
For me, the character I am most interested in is the preacher, Brother Taylor. After all, if he weren't mentioned in the song, we would merely be led to the conclusion that the narrator is saddened by the death of her friend. It is the preacher's interjection about something being thrown at the place of death that has gotten everyone worked up about this song.
Did Brother Taylor see Billie Joe and the narrator talking at his church on Sunday? If so, when he saw them together again at the bridge, did he figure that his chances of courtship were slim as long as Billie Joe was alive? A conspiratorial explanation would have Brother Taylor confront Billie Joe on top of the bridge, either revealing his knowledge of what was thrown or telling Billie Joe that the narrator's family would never approve of their companionship. Perhaps the preacher might even push Billie Joe off the bridge, then rush over to the narrator's house to tell the mother the sad news of the boy's passing.
The narrator doesn't mention Brother Taylor a year later, so we can only assume that the courtship, if there was to be any, had fizzled. What's frustrating -- but also, what's fun -- is filling in the backstory of these characters. The fact that the preacher introduced circumstantial evidence is what has led us to conjecture about the relationship between Billie Joe and the narrator. But was it pure coincidence that he happened to pass by the bridge and see the two youngsters? And might he know what they were actually throwing, but chooses not to tell the mother in order to protect the narrator?
— Scott Karlik
Out of the clear blue, in the middle of the night, I thought of this song, so I got up and scribbled the name down to do some curious research. I have never given any thought to the song "Ode to Billy Joe"... not that I can remember.
Being a teenager in 1967, growing up in N.Y.C., and not liking country music at all, but the song received so much air-play that most really had no choice but to listen to the song - not to mention I had a girlfriend at the time that loved the song.
Anyway, I came up on this site, and read all the analyses, speculations, conjectures, etc... and I saw that no one asked about what happened to Billy Joe's body? It was "muddy water", but I'm sure it should have washed up on the shore, or somewhere... .right?
I think one of the better theories is the one that someone wrote about Billy Joe and the "nice young Preacher" fighting...couldn't have been that nice a preacher - fighting over a girl, pushing a man off a bridge and never saying anything?
I've never seen the movie nor have I found the lyrics - I read that this originally was a seven minute song that was cut down to about 3 minutes? I wonder what the other lyrics say...
We'll never know the "truth" because maybe there is no "truth" to be known (maybe this is just some old "wives's tale" passed on and things added and things omitted and someone finally decided to capitalize on it....make a song out of it... and a book??? and a movie??? Capitalism at it's best is another theory (hahah)
Living in China now, sometimes I reminisce about my young days in NYC... I guess Ode to Billy Joe was very much part of my youth, great memories, great time of the century to be alive - so much change happening during that time, but other than capitalism- that song, just does not fit the time and music being played on the East coast.....
Well, thanks for the interesting reading at that site.
Best regards and good luck with your quest for an answer to a
rhetorical question (in this case, a song).
As far as what gets thrown off of the bridge, the answer is pretty obvious. It's an engagement ring! Billy Joe asks the narrator to marry him. Although she does love him, she has to say no because she knows that her family would never let her marry a boy from the wrong side of the town/bridge. Also, Billy Joe couldn't worked at the sawmill and asked his supervisor for an advance on his wages so he could buy this ring when he's seen there in the song. When the narrator refuses his proposal, he later commits suicide. Sounds workable right?
— Mike Parker
I want to add some points to the story if possible,first i think harry is right on the third assumption that the story is so obvious,we should get it ourselves. She loved billie joe and he loved her they were meeting on the choctaw ridge and maybe collecting flowers,but surely no baby is involved. Because she is shaken by the news not before the news and it is so obvious that she while trying not to show what she feels ,cannot eat from the news. She was not expecting this, and when writing the song and later on interviews she implies that it was so important for her but not for her family.
Still she didn't understand why he jumped and thats is the exact case,she still wanders where they used to collect flowers and not to show throw from the bridge together,she still does that asking herself why he jumped and keeping his loved memories! It is obvious on the line that nobody gives attention: "a year has come 'n' gone since we heard about billie joe" (i am still waiting for news).
The song belongs to her,the story is true, billie joe is not black,
she loves her too much, she still doesn't know why he jumped so she
writes this song to him in fact like a letter,
and the final lines are for billie joe,(i know you hear me billie joe come on this is what happened after you have gone ,where are you? why did you jump. i told you i was gonna come but father gave me some extra work to attend to so could not leave the farm and could not come.i still drop flowers like we used to do off the Tallahatchie bridge.
i miss you)
(and this song is about my love,if somebody else interprets the lyrics in a hypothetic stupid way,i will not speak about it,because everything is so obvious)
burhan(i think she was right,oddly enough she released the song exactly when i was born,and i was so curious about the song i had to find what it is about,until i read wikipedia i had the nonsense interpretations aswell,but when i read her interviews and what she said and realized that song is important for her and it is true,i realized that she still honors his memory,thats it!
sorry but life is like that sometimes,things we dont understand happens and we cannot do anything about them,besides living.
— Burhan Sevsevil
I happened upon your page about this song and thought that you might consider the change of meaning when the initial double quote in the third verse of the lyrics is moved up to the third line, from the fourth. The writer's comment is in the first two lines and then she gives the quote from her brother, at the dinner table, in the last four lines.
While it is plain enough that the narrator's father didn't think too highly of the dead boy, his estimation of "never had a lick o' sense" was commonly used on anyone not in agreement the speaker's outlook. Also, is was far more likely that after-church chatting broke down into same-sex groups. It would cause a lot of gossip to see a boy and girl talking together in such a setting. As a side note, Billie Joe could not have been too socially-distant from the narrator and her family or they would not be attending the same church (an obvious reason that Billie Joe could not have been "colored," to use the polite word of that time).
That "visit" by Brother Taylor is fraught with innuendo! He is the obvious source of the "news" and may well have had his eye on the narrator as his future wife. With the demise (for whatever reason) of a rival for the her attention, the preacher was, seemingly, eager to move in and stake his claim. "Mama" certainly thought he was "nice" enough to invite to dinner after church the coming Sunday.
The tale told in the final lyric is considerable: Her brother saw no future working his dad's farm (as a servant to his dad, for quite some time, obviously) and bailed out to become a merchant. The effect this rejection had on his dad seems to have left him despondent, maybe depressed, enough to succumb to a viral infection. With her way of life totally destroyed, "Mama" was on her way out, as well. The narrator spent her time now reliving the actions of her days with Billie Joe, picking flowers to drop off of the bridge as they chatted and dreamed about future possibilities. Billie Joe didn't fit in because he, obviously, spent too much time with girls and not enough being "manly." That lad ain't got a LICK o' sense!
— Bob Dayle
— John Plunkett
Many have reported that Billie's Ode took place in Carroll County, in central Mississippi. Though, it is more likely the fictional events took place in Panola County, in Northern Mississippi. (Both are about equidistant from Bobbie Gentry's birthplace in Chickasaw County).
An internet source uncovered a valuable old map that clearly marks the delta and the place where the Tallahatchie River intersects Choctaw Ridge. This would put the events in and around Batesville, Mississippi. From Robert Pollack's description of his scanned map:
This seems to incontrovertibly narrow down the non-fictional
location of this fictional event. Thus the Tallahatchie Bridge
could refer to any bridge that crosses the Tallahatchie River up on
Choctaw Ridge. From google maps,
that would be any one of the bridges over the river: Hwy 6, Hwy
51, Hwy 55, or Old Panola Rd.
Also, you'll note that Tupelo is a good long way from Panola County, just over a hundred miles and two hours away. I imagine, that n rural Mississippi in the 50s, this would be like moving to the moon. Memphis is actually a good bit closer to Batesville. So when brother left town, he really made tracks.
— Wes Modes
I appreciate your website about one of my favorite songs of all
time. And it is absolutely hilarious, people making conjecture
about "a homosexual affair," an "interracial affair," or even
maybe...one with the...Preacher?
I'm from Georgia. Southern People take our lineage very proudly and very seriously. That's why I felt compelled to write and offer my "interpretation." My brother graduated from the University of Southern Mississippi, and my best friend/guitar player grew up in Tupelo, graduated from "Ole Miss," and still lives near there now (sometime, if I can find it, I could share a recording of a performance that our band did at a frat party there in 1979...)
Bobbie Gentry's "Ode To Billie Joe" is kind of like Procol Harum's "Whiter Shade Of Pale," Frank Zappa's "200 Motels," or even "Dr." Hunter Thompson's "Fear & Loathing In Las Vegas." I think all four writers left their verbiage specifically vague. Who the f&#% really CARES about why the protagonist "turned cartwheels across the floor," why "Lonesome Cowboy Burt can't find any beer," or why "Gonzo" "saw his dead grandmother crawl up his leg with a knife in her teeth?" I know we're getting perilously close to existentialism here, but in any of those four cases....I mean, does it really matter?
Ms. Gentry herself has been questioned about the song's "meaning," and she has stated, "I don't know." And do you remember in "The Bill Chill" when William Hurt says "sometimes you just have to let art flow over you?" It's probably best to apply that advice here.
Thanks for being curious enough about it to invite people with nothing better to do to make - foolish - conjecture, though. And BTW, it is a GREAT, fun song to perform! I did it myself at a talent show thing back..."last century." My girlfriend had asked me to learn a hideous song by the group "Extreme" for her to perform, and, upon initial perusal of the horrid thing, I said "Naaahhhhhhhh......." She did, however, let me borrow her Martin acoustic guitar, so I took it, ran it thru a cheap Danelectro phaser, and sang it myself, switching Billie "Jo's" gender around. What was cool was that a friend of ours, a guy who was the organist at a nearby Church, and I rode around beforehand and smoked a fine bowl of nice hashish before the show, and he was generous enough to play the string section part on my el-cheapo Casio synth. I would say, "You can just imagine," but after I finished my performance, there was about 15 seconds of shocked silence - then I received a standing ovation.
...THAT'S what "Ode To Billie Joe" means to me. Other people can interpret it as they will. I would say that they could go throw stuff off the Tallahatchee Bridge themselves, but it's not standing anymore.
Billie Joe is Indian, American Indian…a huge taboo in the South at
one time. Persons of Indian ancestry hid this, wearing
long-sleeved shirts so their skin would not darken considerably during
the summer. They experienced tremendous prejudice. For a
'white' girl to be dating a Choctaw or Cherokee boy would be out of the
question. It would be interesting to know if Bobbie Gentry has
some Indian heritage. Her looks indicate this might be a
possibility. If so, she would have been sufficiently motivated to
write such a song of depth addressing this issue, and she would not
want to talk about it, as she has not, remaining curiously quiet and
withdrawing from the public eye.
You have to have been in this part of the country to a little bit understand its strange dark nuances. Swirling waters of its rivers run deep. There is a lot of true mystery and darkness that are a way of life of the people who grew up in these areas.
The story is about a little white girl, just coming into her girlood, who begins to hang around Billy Joe, up on Choctaw Ridge, fooling around, falling in love. Dark, mysterious, hidden, shameful, yet she cares for him. She is in a conventional family and a conventional part of society. She cannot marry an Indian boy. She must grow up, marry a preacher boy, be a good little Southern girl who goes to church and takes apple pie to church socials and wears white shoes in summer. That is her life. There is no part for her in a life with an American Indian boy. no more than she could have a part with an African Amerian boy. That is why there is no question from the family that the girl seen with him would actually be her….there was simply no way that could be true.
Also how a young girl growing up in the South had a course she was expected to follow...'That nice young preacher said he'd be pleased to have dinner on Sunday'....she had a course laid out for her and she was expected to follow it. She had to put her own feelings aside. But she did love Billy Joe and would never forget him, would always hold him in her heart..
— [name withheld]
Just a few thoughts to add to your excellent page...
Folks are innocently misinterpreting parts of the song as they are not from the South. My history hails from Mississippi and Tennessee in small cotton and bean farming towns, so I know just a bit about it (though not an authority!).
1) There is no covert cause to believe that race (or an inter-racial relationship) was involved here. The narrator was "chopping cotton" not "picking cotton". Chopping cotton is simply going up and down the rows chopping out weeds with a hoe. It is a very standard thing for a teen to have done at that time. I did it; believe me, it's hot work! It's just a regular chore that that a farm family would have to attend to. Black-eyed peas means nothing either; it as a staple.
2) "That nice young preach Brother Taylor" does not have to imply that he is courting the narrator. Many small southern churches could only be assigned (or "draw" in the vernacular) very young preachers that were new to thier calling. They could hardly support older, more experienced clergy. Further, it was a regular occurrence for a southern family to invite the preacher to supper (lunch) or dinner. Preachers were often guests at various family homes as I was growing up, so there is nothing to imply a relationship.
3) I agree with other posters here that Papa's attitude to Billie Joe conveys nothing of active dislike. A simple southern man's attitude was often that anyone (other than himself) that did anything stupid displayed a lack of sense. Bobbie Gentry has nailed the wording. I've heard my grandfather say just those exact words ("hasn't a lick of sense") many times to describe everyone from fellow farmers, to insurance agents, to the President!
4) I cannot completely reconcile the concept of the narrator throwing something off the bridge. It's a mystery, apparently on purpose by Bobbie Gentry. I cannot believe that a young girl in Mississippi could have hidden a pregnancy; everyone paid attention closely to everyone else. I also don't think it was something as innocuous as flowers; nobody would pay that any attention. It might be evidence of another sort though. Perhaps a blood-stained sheet or undergarment from a first love-making? In the time present by this song, that would have to be done away with!
5) I'm in agreement with other posters that the narrator was in love with Billie Joe, but was unable to express it to her family, probably because Billie Joe was from "Choctaw Ridge" (i.e. the wrong side of the tracks). Neighborhoods get reputations in the South. Growing up, there was a universal aversion to anyone going from Ridgely, TN to Samburg, TN for anything. No one could really say why except that there was "nothing good for you there". It was only years later that I heard the 40-year-old stories of ruffians and rum-runners in Samburg. They were long gone, but the aversion persisted.
— Scott S.
I stumbled across your site and wondered if you still took comments
on the lyrics to 'Ode to Billy Joe'. I remember listening to the
song endlessly as a child of about 8 or 9 years old. I believed I
understood the song - but my interpretation seems to be very different
than what others have written. I was sure that there was no
'throwing anything off the bridge' but instead, the narrator pushed
Billy Joe off the Bridge (no suicide here) for an unclear reason, but
certainly in the context of a relationship. The preacher showing
up at the house and saying that 'He saw a girl a lot like you...' was
really the message to the narrator that she was seen and that God knew
of her crime. The loss of appetite was due to the shock of
learning that there was a witness to the event. The time spent
back on the bridge was in prayer for Billie Joe and to atone for her
I have always gone with the theory that what they threw off the bridge was a baby but a couple of things bother me about that interpretation.
There is no mention of her appearing pregnant- I would expect something like mama saying something about her gaining then losing weight suddenly. There is nothing like that so we have to presume that whatever happened was before she started showing. So she could have a spontaneous early-term miscarriage, but if it was early enough in the term that her weight didn't show, the fetus would be pretty small.
— Steve B.
I remember the song clearly from when I was a boy growing up in
rural Michigan in 1967.
My mother commented/defended the song and the style at the dinner table as a tale of the
common folk/the common man.
My father in law swore to his dying day that the girl and Billie Joe had thrown the baby off the bridge,
but i cannot accept that... having seen the TV movie and also thought it too contrived a motivation.
I agree with many of your letter writiers, that the speaker and BJ have a growing relationship, that
has moved from "Frogs down the dress" to sparking after Church, and that this is the key to the
I read that while life moves on, Poppa dies, as a result Momma doesn't want to do much of anything.
Brother married Becky Thompson and left the immediate family household, leaving the speaker trapped,
carrying for her aging, depressed mother. Her dreams of romance and escape with Billie Joe have been
dashed by the suicide.
I think the debate over what was thrown over the rail of the bridge ignors the obvious...it's in the payoff of
the song... they were dropping flowers off the bridge together... or perhaps dropping stones.... sparking
again on the bridge.
The fact that the father doesn't like Billie Joe may be disapproval of the relationship with the speaker, but
the fact that the family is obvivious to her sorrow, distress and loss of appetite, is significant that she has
not spoken of her affection to anyone, Momma, Poppa nor brother.
Yes, Mamma is impressed with that nice young Brother Taylor, and is probably hoping for something to grow
with her daughter...but as young preachers routinely take dinner at various households, I wouldn't take this to
be anything more than her approval of him.
Just as life moves on, Brother marries, Poppa dies, the crops came in, nothing much is going on in the speakers'
life when she spends a lot of time upon the ridge...and she remembers her budding love with a tribute of flowers.
That's all I read into this song...a beautiful and haunting picture of a summer romance in the deep south.
— Kirk G.
-The theory that the couple was disposing of an unwanted baby is rather hard to believe. That's such a dark and evil act, I doubt they'd do it on a public bridge, in broad daylight, where the preacher might happen to see them.
-I've always taken it that Billie was a kid from the wrong side of the tracks, someone the family knew but not well, someone they'd never suspect their daughter would take an interest in. Perhaps the singer threw a promise ring or other token of his love off the bridge, causing Billie to end his life.
— Brain K.
Theories on this song continue . . .
Has anyone suggested that what was thrown off the Tallahatchie Bridge was not a literal item or "thing."
Perhaps it was an outdated idea, a predudice . . something like that.
— Paul L.
As I happens I grew up in Capleville, Tennessee, right at the
border, and used to go fishing at Sardis Dam sometimes. I have
certainly driven -- rather been driven -- across the Tallahatchie Bridge, and that country is much like the Capleville Tenn Mineral
Wells Mississippi area I grew up in. As it happens I read your web site tonight and found it interesting.
A couple of points. Even as late as 1967 there was legal segregation in that area. It is not possible that Billie Joe was black,
because a black lad would not have participated in putting a frog down a middle school white girl's dress. You may eliminate that
The current in that river is very strong, as it is on high land -- the bluff -- above the delta. The water becomes slow and sluggish
in the delta but it is fairly rapid with undertows until it reaches that. It is not water anyone ought to be swimming in, and
although the fall from the bridge wouldn't kill anyone, the current would more likely drown you than not unless you were a strong
and determined swimmer.
I find the speculation that an aborted or still born infant was what they threw off the bridge quite unlikely. I knew a number of
Tennessee and Mississippi farm girls of that age, and those were the time when there were girls you could sleep with and girls you
could marry, and they were not the same girls. Nearly all 'decent' girls of that era were virgins until they got married. Obviously
there were exceptions, but there's no indication in the song that the narrator was one of them.
The narrators father owned enough land to talk of a lower forty, which probably meant that he had 80 to 100 acres, possibly in the
delta area. This would be a respectable holding. If Billie Joe lived up on the ridge his parents holding would not have been worth
as much. The girl wasn't likely to be an heiress -- land usually went to the oldest boy in the family -- so she would be expected to
marry someone with an income or land enough to support her. Billie Joe probably didn't have that expectation. Of course that
wouldn't keep them from falling in love, at least temporarily.
What they were throwing off the bridge might well have been a ring. Wearing a boy's ring was fairly common and returning it would
be the breakup, and throwing it off the bridge wouldn't have been that uncommon. It's likely that they broke up, and he might well
have jumped off the bridge the next day. Pure speculation of course.
Thanks for an interesting discussion. It was a great song. I left the South in 1950 and having knocked about the country for a
while had just moved to California when the song became a big hit. I liked it then and still do.
— Jerry P.
I've been working on that song since it came out.
To be honest with you I was a child when it was released.
although I was six or so when it was played on the radio and on every television program we watched, it always haunted me.
I think I have read every article and seen every web site except yours until recently. I want to thank you for your efforts and excellent work on starting a great discussion about this song.
But this is and has been my theory for years.
After the time I've spent listening and dissecting the lyrics I think I've got a simple theory.
I'm a contractor by trade and I try to look for the simplest solutions to problems that pop up in my daily grind. Usually the simplest solutions are the right ones.
I don't think but I feel that Bobby Gentry lived this ordeal, music was her whole outlet from the time she was a child. (first song at age 7)
She dose not want to be in the spot light and dose not want to be bothered about a song I'm sure she is trying to forget.
She has been asked numerous times about the meaning of the song. She has denied the meaning, claimed there was no meaning and has never discussed with anyone what the song was really about.
I think it was fate, unwanted attention and fame that brought her to a very lonely life. Living with a simple twist in a young girls life during a very confusing time in the south.
She Carys that song around her neck like an albatross. I've felt that way for years.
Weather or not he was black or slow, bad kid.. Who knows she wont tell.
I think the song speaks for its self.
But I have to say I always got a chill thinking of a still born baby being tossed off that bridge and the overwhelming guilt and sadness not to mention confusion it must have stirred to create such a chilling, haunting song.
It's just one of the things in life that we could ponder for ever and she will probably take that secret to the grave with her. I truly feel that’s the way she wants it, not just to keep the mystery alive. But the hopes that one day she can get her peace and people will finally forget about Billy Joe McAllester.
— James M.
I read every possible opinion about The Ode to Billy Joe. (I know
I'm coming in really late on this). You may be dead for all I know. If
you answer this, then maybe you're not. If you are dead, I do still
accept email, but not visits.
Let me give my take on this.
The clue is in Brothers' response.
Billie Jo was Tom's date for the Picture show and the singer was talking to Tom after Church last Sunday Night. Everyone assumes that she was talking to Billy Jo, but suppose she was talking to Tom. In the South it was improper for a girl to go to the movies with 3 guys, even if her older brother was along. There must be at least one other girl.
The person that Brother saw at the sawmill was Tom, not Billie Jo. Again everyone assumes that he saw Billie Jo. He could have saw Tom and Tom did not indicate there was anything wrong between himself and Billie Jo. If Brother was talking about Billy Jo at the sawmill, there would be no need to mention him again by name, when the word "He", would fit much better.
Everyone ask what were they throwing off the Bridge?
A bouquet of flowers. The singer could not accept flowers from another girl. There would be some awkward questions to answer.
Now here is the epilogue:
Brother talked about business (the picture show and the sawmill); he's now in business.
Papa saying the Billie Jo never had a lick of sense (maybe because a girl dressing in boys clothes would appear that way, talked about Billie Jo's death with no feeling, the same way his death gets mentioned.
Moma was busy, getting the latest gossip, cooking all morning, match-making, talking about other people on Chocktaw Ridge and reporting the new about Billie Joe McCallister"s jumping off the Tallahatchie Bridge; now she
doesn't want to do much of anything.
Now the Author/Singer; And me, I spend a lot of time picking flowers up on Chochtaw Ridge, (for rejecting flowers from someone that cared about me) and drop them into the muddy water (dirty, because of her quilt in the whole affair), off the Tallachatchie Bridge.
Most girls don't learn how to swim in the south, it's mostly a guy thing.
I think I've covered all of the bases and if you make Billie Jo a
girl, that jumps from a bridge into 20 feet of water and she can't
swim. This is like Romero & Juliet, but this Romero is a girl and
life is not worth living, if you can't be with the one you love. Billie
Jo couldn't live a life of pretend for other people. But the singer is
caught and picks flowers and gives them to Billie Jo the only way she
knows how, dropping them into the Tallachatie River off the Bridge.
— Ruben L.
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